I’m participating in a baton blog hop sort of thingy thanks to Sandra Beckwith, the very kind and very generous person (and award-winning publicist) whose name I associate with effective, professional, ethical and creative book publicity. (Click on her name to meet her.)

She asked me to answer four questions. Hopefully my answers will help trigger something that helps move your own writing along.

What am I working on?

Several projects: a manuscript for a novel that I am really beginning to feel connected to; a new ebook called STRONGER EVERY DAY: Getting Through the First 30 Days of Your Recovery From the Narcissist (it’s the follow-up to NARCISSISM: SURVIVING THE SELF-INVOLVEDA Little Primer on Narcissism and Self-Care); manuscript editing for freelance clients working on their own books; AND Creativity PRN, which is the work I do to help writers and creative unblock.


How does my work differ from others of its genre?

I have always written to create connections: between the individual and his or her patterns of behavior, the universal and the personal, the heart and the mind.

 Why do I write what I do?

When it comes to my own work, I write to understand why I did something or why someone else does something, and to explore connections. When it’s client work, I write what the client wants by first truly understanding why they want it that way.


 How does your writing process work?

I never wait for chunks of time (though I schedule them as well) to write or edit. I work creatively the same way I worked when I had an office job and was either seeing clients or editing articles and was never given more than ten minutes to work on a project at a time because sixteen other things were equally as important. I learned to work five minutes here, ten minutes there, whether it’s writing or editing. These days I use my phone to voice record ideas, and I keep a pad and pen with me, and by my bedside at night. I often am awakened in the middle of the night with great ideas. I’ve learned to get myself up and write them down.

Now I’m passing the baton to Jordan Rosenfeld, author of FORGED IN GRACE, MAKE A SCENE, WRITE FREE and the forthcoming THE PLOT WHISPERER (with Martha Alderson). She is also a writing coach, editor, and freelance journalist. It’s your turn, Jordan!




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Being an auditory learner, listening to a book allows me to have stories delivered directly to the part of my brain that processes all the words and sentences, and mostly the author’s nuances, best. I love books, and I love reading, but it’s only recently that I’ve been able to tackle books that would have otherwise daunted me. I have recorded books to thank. I was (still am) an avid reader. As a kid I had a tough time “nuancing” new material. I didn’t always “get” the voice.

Sometimes, that’s still true, especially with fiction.

In school the teacher told students to stop moving their lips when they read, as if it were a disgusting habit, like chewing with your mouth open. I didn’t progress quickly in color-coded SRAs, and in junior high when I begged my teacher to let me into an accelerated English class because I loved words and tried to love to read as much as I loved the words individually, heard that the “smart kids” actually talked about books, she told me, “It’s better to be a big fish in a little pond than a little fish in a big pond.” Thanks. For the first time in my life, I was insulted – or knew I was insulted. “I don’t care if I get a C or a D or an F,” I said. (I’d already had experience failing Algebra in junior high [what they today call middle school], would soon have experience failing Geometry in high school [twice, I think], and would go on to college and fail Music Appreciation 101 [had I known music had mathematical qualities, I never would have enrolled] just as I was about to graduate.) “

That teacher relented, and I got a B. Minus. And it wasn’t easy for me.

In fact, it was hard, and mostly because of the reading required. The classics, the long thick books that were hard and the skinny, spare ones that were harder. I didn’t need to be a big fish, but I often wondered why I couldn’t absorb, as a reader, new material quicker. Teachers assumed it was because I wasn’t very smart and/or I didn’t try. Maybe I had a dumb look, who knows?

But I moved through college and grad school, plugging away. I found what came easiest to me were essay questions. My mind could wander, could braid digressive thoughts and make something greater than a whole. But, still, reading was never easy and, though I liked it, that much fun.

It wasn’t until I started listening to books in addition to reading them that I understood it had something to do with my brain wiring, or makeup, or both. Book clubs used to downright frown on taped material – like they are the authority on how books should be consumed! – but I don’t. And I think they are coming around, too. The more I listen to books the more I find it easier to read books that might have otherwise seemed too hard. And from that, despite what I learned in classes, from experts, I began to under how stories and essays were really structured, and that was – is – like life. In an erratic form that moves, sometimes forward, sometimes backwards. Linear at times, yet not at times.

I’m an auditory learner (and, perhaps, writer). I have friends who are visual. And I know there are many kinesthetic (via physical activity) learners as well. Which are you predominantly? When did you figure it out and how did it help your writing?


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